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United talent agency nft cryptopunks meebits

united talent agency nft cryptopunks meebits

One imagines that the possibilities are endless: maybe the CryptoPunks will eventually appear in an Amazon original series about renegade, humanoid NFTs surfing the blockchain, or maybe they’ll become pop star digital avatars in the vein of Gorillaz.

“I would say that it is one of the first opportunities for an IP that fully originated in crypto-world to enter a broader entertainment space, and they earned it,” Lesley Silverman, the head of UTA Digital Assets, told The Hollywood Reporter. “They really have hit the zeitgeist in a tremendous way.”

“We are excited to work with UTA for the benefit of the entire community connected to our projects,” Matt Hall, the co-founder of Larva Labs, added to The Hollywood Reporter.


Time spent idling, especially in predictable locations, means it’s easier to know where to install electrified roads and make them cost-effective.

Stefan Tongur, Electreon’s L.A.-based vice president of business development, says the company’s induction charging technology will probably charge slower than the traditional plug-in station model. But if the pavement under every bus station was electrified, he told dot.LA, a small amount of charge would be added to the vehicle at every stop—meaning the bus would need to take fewer, if any, breaks to recharge its battery.

Image courtesy of Electreon

It’s easy to imagine similar use cases at ports, rail yards or airport taxi lanes, all of which could spell significant savings for companies that lose time and money when their electric fleet vehicles are plugged in and recharging.

The terms of the deal weren’t disclosed.

As speculative investment in NFTs explodes, CryptoPunks remain one of the most recognizable — and valuable — pioneers in the space. Larva Labs launched 10,000 of the individual algorithmically generated pixelated figures on the Ethereum blockchain back in 2017.

To the untrained eye, and arguably to the trained eye too, CryptoPunks are just little pixelated portraits of different characters, some wearing pirate hats, others in aviator glasses smoking pipes. But to the crypto world, punks are a social signifier, communicating early investment into NFTs, personal style and, importantly, wealth.

The value of CryptoPunks skyrocketed from zero (they were initially given away for free) and now even the least expensive collectible punks run for hundreds of thousands of dollars, with the most valuable selling for millions.

Classical (PUNK) Pretium praedictum ut Nov 29, 2021 6:21 PM

** Notitia supra solum in speculatione communitaria fundata est, haudquaquam est oeconomicum consilium, ut semper, quaeso, investigationem tuam fac.

10,000 characteres collectibiles singulares cum probatione possessionis in Ethereo impedimento repositae. Exertum, quod modernum CryptoArt motum inspiravit. Featured in Mashable, The Financial Times, The Paris Review, Salon, The Outline, BreakerMag, Christie’s London, Art|Basel, The PBS NewsHour and The New York Times. In statu ostendens apud ZKM Centrum pro Art et Media in Karlsruhe, Germania partem Codicis Openim Exhibitionis.

CryptoPunks

7-Day Sales Volume: $12.5 million Number of 7-Day Sales: 138 Highest Sale Price: $386,000

Explainer: “10,000 unique collectible characters with proof of ownership stored on the Ethereum blockchain. The project that inspired the modern CryptoArt movement.”

4. Meebits

7-Day Sales Volume: $28.0 million Number of Sales: 363 Highest Sale Price: $221,000

Explainer: “From the creators of CryptoPunks, presenting Meebits.

The next-gen “OG”, 3D voxel avatars ready for any metaverse applications. Building upon the success of CryptoPunks and Autoglyphs to supply provably scarce and fairly distributed 3D character avatars.”

3.

On Tuesday, Cryptopunk #4526 sold for 225 ether or $766,325, and Cryptopunk #1254 sold for 166.66 ether or $568,757 at the time of exchange.

“Crytpopunks were a pioneering collectible when they debuted four years ago and they continue to set the standard in the NFT space,” Lesley Silverman, head of UTA Digital Assets said in a statement sent to Bitcoin.com News. “We are excited to break new ground through our first-of-its-kind representation of Larva Labs’ beloved projects and look forward to expanding the places fans can experience them.”

Meebits and Autoglyphs — UTA’s Other Brokered NFT Deals

Meebits and Autoglyphs have also been popular NFTs and UTA will be working with these Larva Labs brands as well. Autoglyphs was created in 2019 and there are only 512 onchain generative NFTs — or “glyphs” — in the collection.

Other Hollywood talent agencies have since entered the fray—including rival WME, which recently signed a pair of Bored Ape NFTs.

Lesley Silverman, UTA’s head of Web3.

Provided by UTA

Initially, UTA aimed to help its existing clients navigate the Web3 world and launch NFT projects, such as a collaboration between Oscar-winning film score composer Hans Zimmer and NFT artist ThankYouX. But the agency soon realized that crypto is blooding a new generation of creators, founders and influencers who could use representation, Silverman said. Her team now helps clients like Deadfellaz secure brand partnerships, merchandising deals and live events—just like how UTA helps build the careers of actors, musicians and other entertainers.

“Our role is really to sit at the intersection of our clients and the things that may seem out of reach,” she said.

In May, a bundle of nine CryptoPunks sold for just under $17 million in an auction run by Christie’s. And last week, even Visa got in the game, spending $150,000 on CryptoPunk #7610, a digital illustration sporting a mohawk and green face makeup.

Over the last 60 years, Visa has built a collection of historic commerce artifacts – from early paper credit cards to the zip-zap machine. Today, as we enter a new era of NFT-commerce, Visa welcomes CryptoPunk #7610 to our collection.
https://t.co/XoPFfwxUiu

— VisaNews (@VisaNews) August 23, 2021

It’s noteworthy that a traditional talent agency best known for representing A-list celebrities is getting into the NFT game, but it’s not the group’s first time getting its feet wet in the wild world of crypto.

People Disappear Here,” Klutch Sports, and a digital collection for NBA rookies.

“UTA Digital Assets was one of the first among major agencies to delve into the crypto and NFT space,” UTA’s announcement concludes.

What do you think about UTA representing the three NFT projects crafted by Larva Labs? Let us know what you think about this subject in the comments section below.

Tags in this storyAutoglyphs, Blockchain, cryptopunk, cryptopunks, dappradar, Dune Analytics, ETH, ETH NFTs, ether, Ethereum, Halsey, Hans Zimmer., Klutch Sports, Meebit, Meebits, million-doller NFTs, NFT projects, NFTs, Onchain, Thankyoux, United Talent Agency, UTA

Image Credits: Shutterstock, Pixabay, Wiki Commons, Larva Labs, Cryptopunks, Autoglyphs, Meebits

Disclaimer: This article is for informational purposes only.

With close to 1,000 employees and various divisions, UTA works with merchandise branding and licensing, film, television, digital, books, music, video games, marketing, fine arts, news, and broadcasting. Now UTA is stepping into the world of Larva Labs as it will represent three popular non-fungible token (NFT) projects minted by the NFT startup.

This means that the company’s intellectual property (IP) associated with the NFT collectibles can be marketed and sold in different ways. Bitcoin.com News has covered the project Cryptopunks on various occasions as the NFT project with 10,000 unique punks has seen millions of dollars in sales.

In the last seven days, Cryptopunk #9052 sold for 500 ether or $1,410,320 at the time of exchange.
The first time Cryptopunk #9052 sold, it was for 18 ether or $22,215 at the time of sale.

One approach that’s currently resonating with fans is tying digital assets to real-world goods and experiences; indeed, the agency brokered a deal last month that will let Deadfellaz NFT holders create custom Gilson skis or snowboards depicting their own NFT artwork.

“It’s measurable that consumers want those things, and we are certainly not going to take that information lightly,” Silverman said. “Those are two areas that we will definitely look to expand and advise our clients to pursue.”

UTA recently commissioned a survey which found that while only 6% of U.S. consumers aged 16-to-54 have owned an NFT, about 38% want to own one in the future.

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